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Originally published as parts I and II of Lea's major historical work Superstition and Force, this volume discusses the limitations in the Middle Ages of what modern jurists would term private law, or civil cases, and the concept of imminent justice through divine intervention in determining the verdict.

History. --- Medieval and Renaissance Studies.

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Combining original research and a review of all major previous studies on criminal homicide in America, this study attempts to discover and to analyze patterns in criminal homicide from among almost six hundred cases that occurred in the city of Philadelphia between 1 January 1948, and 31 December 1952.

Prisons. --- History. --- Medieval and Renaissance Studies.

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In the year 726 C.E., the Byzantine emperor Leo III issued an edict declaring images to be idols, forbidden by Exodus, and ordering all such images in churches to be destroyed. Thus commenced the first wave of Byzantine iconoclasm, which ran its violent course until 787, when the underlying issues were temporarily resolved at the Second Council of Nicaea. In 815, a second great wave of iconoclasm was set off, only to end in 842 when the icons were restored to the churches of the East and the iconoclasts excommunicated.The iconoclast controversies have long been understood as marking major fissures between the Western and Eastern churches. Thomas F. X. Noble reveals that the lines of division were not so clear. It is traditionally maintained that the Carolingians in the 790s did not understand the basic issues involved in the Byzantine dispute. Noble contends that there was, in fact, a significant Carolingian controversy about visual art and, if its ties to Byzantine iconoclasm were tenuous, they were also complex and deeply rooted in central concerns of the Carolingian court. Furthermore, he asserts that the Carolingians made distinctive and original contributions to the whole debate over religious art.Images, Iconoclasm, and the Carolingians is the first book to provide a comprehensive study of the Western response to Byzantine iconoclasm. By comparing art-texts with laws, letters, poems, and other sources, Noble reveals the power and magnitude of the key discourses of the Carolingian world during its most dynamic and creative decades.

Iconoclasm --- Carolingians. --- History. --- Medieval and Renaissance Studies.

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The Master of Game is the oldest and most important work on the chase in the English language. Based primarily on Gaston de Foix's Livre de chasse, originally composed in 1387, The Master of Game was written by Edward of Norwich at his leisure between 1406 and 1413, mostly while being held prisoner for having treasonous designs against his cousin, Henry IV. While much of the book is almost an exact translation of de Foix, Edward added five chapters of his own to form the major source for our knowledge of the medieval hunt. The book begins with a description of the nature of popular quarry, such as the hare, deer, and badger, including their behavior, characteristics, and even smells, and then moves to a discussion of various hunting dog breeds and how to train them. The medieval chase was a ritual event, so the book continues with an explanation of the various rules and techniques for a successful hunt, including how food was to be distributed among the hunters, the support persons, and the dogs. Weapons and traps of choice are also described, as well as the different horn calls used for communication. The Master of Game is a unique text for naturalists, hunters, and persons interested in social history. Although hunting is nowadays far removed from most people's experience, it was of major interest in the time of Edward of Norwich for ritual, sport, and, of course, food. Some knowledge of the chase was essential for all persons of medieval times. This edition, the first paperback ever of the original version edited in 1909, includes a hearty foreword by Theodore Roosevelt, who adds some important contextual information about the chase and draws on his own vast hunting experience. A delight to read, even for those who are not keen on the sport, The Master of Game has, as one review exclaimed," all Chaucer's freshness, love of the open sky and fragrant woodland."

Hunting --- History. --- Medieval and Renaissance Studies.

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In the popular imagination, the Middle Ages are often associated with lawlessness. As historians have long recognized, however, medieval culture was characterized by an enormous respect for law, legal procedure, and the ideals of justice and equity. Many of our most important modern institutions and legal conceptions grew out of medieval law in its myriad forms (Roman, canon, common, customary, and feudal).Institutional structures represent only a small portion of the wider cultural field affected by-and affecting-law. In Law and the Illicit in Medieval Europe such distinguished scholars as Patrick Geary, William Chester Jordan, R. I. Moore, Edward M. Peters, and Susan Mosher Stuard make the case that the development of law is deeply implicated in the growth of medieval theology and Christian doctrine; the construction of discourses on sin, human nature, honor, and virtue; the multiplying forms governing chivalry, demeanor, and social interaction, including gender relations; and the evolution of scholasticism, from its institutional context within the university to its forms of presentation, argumentation, and proof.

Law, Medieval --- Law --- History. --- Law. --- Medieval and Renaissance Studies.